Rating:
Genre:
Vocal Music
Release Date: 10/02/2001
Steve Tyrell has had a long journeyman's career in the music business, serving as record company executive, songwriter, and producer. But no one could have predicted the twist his career took in the late '90s. After he sang
standards on the
soundtracks of the films
Father of the Bride (1991) and
Father of the Bride 2 (1995), he was signed up by
Atlantic Records to make an album of similar material.
A New Standard (1999), his debut album, was a sleeper, such that
Atlantic cut him loose, but it was still in the traditional
jazz charts two years after its release.
Tyrell had joined a new wave of retro singers like
Diana Krall and
Jane Monheit, reinterpreting the same batch of interwar songs that
traditional pop singers have been performing regularly since the 1950s.
Columbia Records scooped him up, and
Standard Time is more of the same. Hailing from Houston,
Tyrell has the same Deep South/Southwest accent and the same raspy vocal tone as
Dr. John and
Leon Russell. His performances, accompanied by a small
jazz band occasionally augmented by a small string or brass section, are excuses to set up solos by a group of traditional
jazz veterans --
Clark Terry,
Joe Sample,
Plas Johnson,
Toots Thielemans, and, in his final recording,
Harry "Sweets" Edison. Other than giving the songs a slightly bluesy edge, the singer doesn't bring any particularly new element to his interpretations, and the soloists, with their slight variations on the melodies, don't find anything much new to say either. But then, the retro-
jazz movement isn't about the shock of the new, it's about the reassurance of the old, and
Tyrell, who has stumbled upon success after years in the wilderness, can't be faulted for enjoying himself in the studio with so many venerable talents.
~William Ruhlmann, All Music Guide
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