Rating:
Genre:
Electronica
Release Date: 09/09/2008
Emiliana Torrini reprises her relationship with producer/songwriter
Dan Carney on
Me and Armini, which mixes fingerplucked
folk with elements of
jazz,
dancehall,
electronica, and summery
pop. Splitting the difference between the intimate acoustics of 2005's
Fisherman's Woman and the trip-hop experiments on
Love in the Time of Science,
Me and Armini finds room for
Torrini to flex all of her muscles. She's a sultry mistress on
"Gun," peppering the verses with blasts of hot breath cloaked in echo. It's a surprisingly sexy performance -- almost feline, not unlike something by
the Kills -- with a muted guitar riff that threatens to explode into noisy catharsis but stubbornly keeps its composure. Elsewhere,
Torrini tones down the heat in favor of winsome innocence, mimicking a percussive instrument on
"Jungle Drum" and filling
"Big Jumps" with strings of endearing
doop-de-doop vocals and a commercial
pop chorus. Several songs also cement her musical connection to
Björk -- an easy link to make, perhaps, given the women's shared Icelandic heritage, but a factual one nevertheless -- and tunes like
"Birds" and
"Heard It All Before" show that both singers employ similar vocal ticks. Elsewhere,
Torrini's material evokes the jazzy cadence of
Inara George or even the reggae-tinged swagger of
Lily Allen, particularly on the album's breezy title track. Yet comparisons to other artists don't quite do
Emiliana Torrini justice, as she's carved out her own sonic space over the course of several albums. With its wide array of genres -- all executed with earnestness and confidence --
Me and Armini emerges as an album suitable for bookworms and beach bunnies, homebodies and world travelers, dancers and wallflowers. Highly recommended.
~Andrew Leahey, All Music Guide
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