Rating:
Genre:
Rap
Release Date: 11/21/2006
Jay-Z's retirement from making albums was more like a working holiday. After he announced his retirement, released
The Black Album, and threw the
Fade to Black party, he collaborated with
Linkin Park on
Collision Course, teamed with
R. Kelly for the abysmal
Unfinished Business, and appeared on tracks by
Beanie Sigel,
Bun B,
Memphis Bleek,
Kanye West,
Pharrell,
Lupe Fiasco, and
Beyoncé. He kept busy behind the scenes as
Def Jam's CEO and president, and he also stepped up as a major philanthropist, donating a million dollars to the Katrina cause and actively addressing the global water crisis in Turkey and South Africa. In the midst of these and other well-publicized activities,
Jay-Z recorded
Kingdom Come, his eighth and weakest studio album. When placed in the context of his prolific discography, the greater part of the album wilts, and it's not a good indicator that
Jay-Z continues to lean on a familiar cast of producers rather than actively seek up-and-comers. (The fresh talent here is limited to
Syience and
Gwyneth Paltrow's
Chris Martin; they contribute one track each.) There's only a small handful of highlights. On the title track,
Just Blaze's masterful contortion job on
Rick James'
"Superfreak" backs
Jay's nearly top-form,
Black Album/
Blueprint-worthy boasts: "I been up in the office, you might know him as Clark/Just when you thought the whole world fell apart/I take off the blazer, loosen up the tie/Step inside the booth, Superman is alive." Two of the four
Dr. Dre productions feature assistance from
Mark Batson (
Anthony Hamilton), and they both strike a fine balance between maturity and ferocity -- much more so than the clumsy
"30 Something," where
Jay proclaims that "30 is the new 20," which would actually make him 27 and a fourth-grader a zygote. (He might as well say, "You wear Huggies, I wear Depends/You drink from a sippy cup/I sip my solids.") Apart from the above-mentioned bright spots and a poignant, somber track about the Katrina disaster (
"Minority Report"), the album is a display of complacency and retreads -- a gratuitous, easily resistible victory lap -- that very slightly upgrades the relative worth of
The Blueprint˛.
~Andy Kellman, All Music Guide
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