Rating:
Genre:
Jazz
Release Date: 02/27/2001
The stockpile of unreleased recordings by
Dave Brubeck grew during the 1990s, as
Telarc would plan CDs and then change its mind about the order in which to release various titles by the veteran pianist. So this two-CD set is by no means a compilation of leftover material, but some of his finest work during that decade. The first disc consists of songs recorded during the second half of two 1995 concerts in Washington, D.C.'s
National Cathedral (music from the first half of these concerts appeared the CD of
Brubeck's Mass,
To Hope! A Celebration), emphasizing material that the quartet had not played previously.
Brubeck's haunting impressionistic introduction to
"Body and Soul" is followed by
Bobby Militello's lyrical alto sax solo (following in the footsteps of longtime alto saxophonist
Paul Desmond).
Brubeck's staccato introduction to
"Cherokee" is reminiscent of his composition
"Pange Lingua March" because he voices it with open fourths and fifths while playing in a different key with each hand (with no net before a live audience); after a turbulent
Militello solo, the master pianist shows off his own considerable chops.
"What Will I Tell My Heart?" is one of the most surprising tracks, since few musicians actively play this old chestnut; the rollicking interpretation of
"On the Sunny Side of the Street" and warm treatment of
"Don't Worry 'Bout Me" are also enjoyable.
Brubeck revisits his own
"Broadway Boss Nova," written for the short-lived television series
Mr. Broadway in the early '60s, as well as a more recent work, the poignant ballad
"The Things You Never Remember" and the inevitable
"Take Five" that is automatically expected by audiences at every
Brubeck concert, showcasing drummer
Randy Jones, a fixture in the quartet since 1976. The second disc contains selections from the quartet's 1998 tour of Great Britain.
"Margie" is another overlooked piece of nostalgia that
Brubeck chose from the thousands of tunes stored in his colossal memory (much to the surprise of his group, though they catch on in a hurry). The remaining material will be familiar to those who saw
Brubeck in concert during the 1990s: his always humorous
"Three to Get Ready," his swinging tribute to another veteran pianist and old friend
"Marian McPartland," a longer
"Take Five" that is even more exhilarating than the 1995 version, and a delightful romp through
"Take the 'A' Train" which showcases his then-new bassist
Alec Dancworth's great chops. Of course, the master always has something new up his sleeve since he composes almost daily, although
"Be Natural Blues" was so new not even
Brubeck had played it previously. An added bonus is that this two-CD set is being sold by
Telarc for the price of a single CD. Highly recommended.
~Ken Dryden, All Music Guide
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