Rating:
Genre:
Rock
Release Date: 09/23/2003
Possibly the biggest success story in the history of Finnish
heavy metal,
Nightwish celebrated their second chart-topping album in their homeland with 2002's
Century Child, which eventually collected numerous awards and went double platinum (60,000 units in Finland) within a year of release. The group's fourth LP overall,
Century Child wisely repeated its predecessors' winning characteristics: symphony-enhanced
power metal laced with accessible
pop sensibilities (mostly straightforward song structures and romantic lyrics), distinguished by the
operatic voice of classically trained singer
Tarja Turunen. Undoubtedly the key to
Nightwish's remarkable success (and since, hugely influential on countless followers like
After Forever and
Epica),
Turunen is actually more restrained in her delivery than one might expect, rarely belting her way overboard in an effort to match the metallic aggression of opening shots
"Bless the Child" and
"End of All Hope." Never losing momentum, she duets with bassist
Marco Hietala on
"Dead to the World," returns to center stage on the platinum-selling single
"Ever Dream" (which combines the group's commercial attributes to perfection), and leads the band towards commercial apotheosis on the gentle ballad
"Forever Yours," which could fit perfectly well in any
pop diva's catalog.
"Slaying the Dreamer" and
"Ocean Soul" resume the
power metal with strings and choirs motif, and
"Feel for You" curiously appears to draw its eerie riffs and strings from the theme of the
Halloween movies! And before they embark on the album's final, ten-minute, three-part magnum opus,
"Beauty of the Beast," Nightwish take a very competent stab at
"The Phantom of the Opera" -- no, not the
Iron Maiden classic, the
Andrew Lloyd Webber musical's title track. Which makes for an interesting tidbit when considering this album's appeal: fans of more aggressive
heavy metal might find it simply too saccharine for the palate, but those with an affinity for straightforward
rock and
pop will not only eat it up, but ask for seconds.
~Eduardo Rivadavia, All Music Guide
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