Rating:
Genre:
Rock
Release Date: 10/30/2007
Coming off a Best New Artist Award at the 2006
MTV Video Music Awards, the members of
Avenged Sevenfold returned to the studio, ambitious to create an exciting follow-up to
City of Evil -- perhaps overly so, as their self-titled release focuses entirely too hard on pushing the songs into non-
metal territory. Their signature, blistering
Yngwie Malmsteen guitar arpeggios and lightning fast double-kick drums are still evident, but the overall
heavy metal thunder is diluted by their everything-but-the-kitchen-sink approach. Left alone in the studio to record the album on their own,
AS show their unbridled enthusiasm to be as inventive as possible as they run through a staggering amount of production enhancements: four songs have string arrangements; violinists, pianists, and vocalists make guest appearances here and there;
"A Little Piece of Heaven" is a strange
Mr. Bungle type number with sax, clarinet, trombone, and trumpet, and
"Unbound (The Wild Ride)" throws in the most un-
metal addition of all -- a children's choir. Some of these enhancements help take the songs to the next level but most detract, and give the sensation of inappropriately mashed-up styles, like listening to a
Dream Theater album on a boom box while a nearby clock radio plays
Charlie FM. Vocalist
M. Shadows, who required surgery on his vocal cords after
Waking the Fallen shows that his training with
Ron Anderson (vocal coach for
Layne Staley,
Axl Rose, and
Chris Cornell) has been for the greater good. Rather than screaming or doing the
metal growl, he sings in a few gritty voices, showing an obvious
Mike Patton influence, and actually sounds pitch-perfect. His skills, and the entire band's technical ferocity, is flawless as ever, but just gets lost in a cluttered vision. Perhaps the worst culprit of their excessive studio trickery is when a
Cher-esque
"Believe" pitch corrector/vocoder is introduced to the chorus of
"Lost," essentially stomping out a fiery '80s
speed-metal jam into lukewarm embers of passé
electro. While their willingness to experiment is admirable, despite the fact that they've gone overboard with their overdubs, the overabundance of studio polish leaves one to wonder if it's not because the songs just aren't as strong this time around.
~Jason Lymangrover, All Music Guide
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